Terminator: Dark Fate review - it’s worth it for Linda Hamilton

Terminator: Dark Fate is probably the first Terminator film since Terminator 2 to (sort of) do the originals justice. Compared to James Cameron’s iconic films, it’s not that great, but compared to all the other sequels and reboots, including 2015’s disastrous Terminator: Genisys, it’s a pretty decent blockbuster and boasts the return of one of the franchise’s most lovable characters…

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Ad Astra review - a hypnotising study on the horrors of loneliness

Ad Astra is a stylish, fascinating and meditative journey on the horrors of loneliness and depression that sticks with you even if it occasionally gets a little too Hollywood. Brad Pitt brings everything to this role - a career best performance.

PET SEMATARY, from Paramount Pictures.

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Pet Sematary review - probably the creepiest cat in cinema history

The new Pet Sematary is one of the best Stephen King adaptations in recent years. Teeming with dread and suspense, it’s a horror nerd’s wet dream. It successfully reanimates its source material while still managing to put an original spin on the final act… plus it boasts one of the scariest cats in cinema history.

Us

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Us review - what is Jordan Peele’s latest film actually trying to be?

Us is full of big ideas and social commentaries. From racism to class divide, Jordan Peele’s latest explores some of America’s issues, but fails to do so by playing around with one too many horror conventions and sub-genres. What on earth was that?

Emma Stone in the film THE FAVOURITE. Photo by Yorgos Lanthimos. © 2018 Twentieth Century Fox Film Corporation All Rights Reserved

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The Favourite trailer - Lanthimos’ latest coming to Czech cinemas

Festival hit The Favourite from Greek director Yorgos Lanthimos is finally coming to Czech cinemas this January.

JURASSIC WORLD: FALLEN KINGDOM

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Jurassic World: Fallen Kingdom review - what on earth did I just watch?

Jurassic World: Fallen Kingdom is a disaster movie / conspiracy thriller that director J.A. Bayona uses to build his signature visual sequences of tragedy and horror, but it’s not enough to save the horrendous script which suffers from identity crisis, and is just banal at times.