Godzilla, Gattaca and more at this year’s Future Gate sci-fi film festival

Godzilla, Gattaca and a medley of new films will screen in this year's diverse programme at the Future Gate Sci-fi Film Festival, one of Czech Republic's most enjoyable and entertaining film festivals.

Movie Barf’s Top 10 films of 2018

I'm well aware that this list is coming a little late, but better late than never. As usual, this one covers my top picks for titles released in the Czech Republic during 2018, which also includes festival screenings and those released on streaming services like Netflix. So unfortunately, The Favourite is not here (it was just released and you should definitely go and see it) and Suspiria is not here either (if it was, then it would probably be close to the top). Nevertheless, there were some impressive films that popped up in our little country last year, and some of them we even saw before the rest of the world.

Velvet Buzzsaw review – bizarre, tacky, dated, but a future cult classic?

Velvet Buzzsaw is the most peculiar film I have seen so far this year. It feels dated, predictable, tacky and occasionally trashy. In hindsight though, maybe it wasn't trashy enough? It feels like a satire on the art community, albeit one that we've heard too many times before, but never actually plays up the horror enough to take into trash cinema territory.

Prague Shorts 2018 programme now up – weightlifters, hangovers and sex for beginners

The 15th Prague Short Film Festival is upon us again, and this year's diverse programme of films from all over the globe, both in and out of competition, is now up. From Ingmar Bergman to Amazonian women, and virtual reality to sex for beginners, there's a treat for everyone here.

Suspiria review – Guadagnino’s superb ‘horror epic’ is a must see

The new Suspiria is more of a rebirth than a remake. A spellbinding ambitious art film that cleverly, albeit brutally, assaults the senses with its nightmarish imagery and explores unrelenting violence. The violence that occurs through abuses of power, both with politics and with women. It feels as timely today as it would have been confined within the wall of 1970s' Berlin, which is where this very feminist horror epic takes place.