Avengers: Endgame review – the most epic superhero movie ever made

Avengers: Endgame is a poignant, thrilling and revolutionary superhero film, and a well-deserved finale to the MCU's Infinity War saga. It's also a 'greatest hits' film showcasing everyone and everything great about the franchise that we love... It's also three hours long, so plan your toilet breaks wisely.

Pet Sematary review – probably the creepiest cat in cinema history

The new Pet Sematary is one of the best Stephen King adaptations in recent years. Teeming with dread and suspense, it's a horror nerd's wet dream. It successfully reanimates its source material while still managing to put an original spin on the final act... plus it boasts one of the scariest cats in cinema history.

Us review – what is Jordan Peele’s latest film actually trying to be?

Us is full of big ideas and social commentaries. From racism to class divide, Jordan Peele's latest explores some of America's issues, but fails to do so by playing around with one too many horror conventions and sub-genres. What on earth was that?

Febiofest 2019: Destroyer review

Nicole Kidman is almost unrecognisable in this gender flip on the cold hard detective thriller. Despite it being her most memorable performance in recent years though, Destroyer is weighed down by, what feels like, a lack of tension, urgency, and quite honestly, a lack of, well, destroying.

Happy Death Day 2U review – surprisingly alright sequel to horror time loop hit

Happy Death Day 2U, although tiring itself out with one too many sub-plots and occasional cheese, does keep that tight comedy/horror dynamic that the first one did so well, as well as bring something new to the time-worn 'time-loop' genre.

Glass review – a bloated and thoroughly disappointing follow-up to ‘Split’

Glass is an overstuffed and ridiculous entry in Shyamalan's cinematic universe that tries to make grand statements about our obsessions with superheroes, but ultimately falls flat from a flawed and clunky script, redundant characters, and an all round lack of that gritty realism that the previous two films had.