The Invisible Man is one of the best films of the year, and most certainly one of the best Blumhouse films, maybe ever. Extremely unsettling and Hitchcockian in nature, Leigh Whannell's adaptation of the H.G. Wells classic is not only a masterful exercise in slow-burn suspense, but a chilling commentary on domestic abuse.
The Square is a satirical take on the modern madness of the art industry. Packed with subtle nods to our doomed society, it makes for a deep post-viewing discussion. However, director Ruben Östlund gives a bit too much to ponder here, and that makes this Cannes Palme d'Or winner fall short.