The new Suspiria is more of a rebirth than a remake. A spellbinding ambitious art film that cleverly, albeit brutally, assaults the senses with its nightmarish imagery and explores unrelenting violence. The violence that occurs through abuses of power, both with politics and with women. It feels as timely today as it would have been confined within the wall of 1970s' Berlin, which is where this very feminist horror epic takes place.
Glass is an overstuffed and ridiculous entry in Shyamalan’s cinematic universe that tries to make grand statements about our obsessions with superheroes, but ultimately falls flat from a flawed and clunky script, redundant characters, and an all round lack of that dark and